Eddie AI is in the Apple App Store. Sign in and your projects are already there.
Edit on the move
The thing that makes a phone app work for editing is not the phone app. It is where the project lives.
Since 3.5, an Eddie project lives in the cloud rather than on one machine. The web app, the Mac and Windows desktop apps, an AI chat, and now the iPhone are all just doors into the same project — not copies of it, not exports of it. Start an edit on the web, open your phone on the train and keep going, then hand it back to the desktop for native playback and uncapped local rendering. There is nothing to sync, nothing to export first, and nothing lost when a laptop dies.
That is what makes editing on the move real rather than a novelty. You are not working on a stripped-down mobile version of your project. You are working on your project.
Stop waiting in front of a computer
Editing has a lot of waiting in it. Footage uploads. Transcription runs. Eddie analyses an hour of interview and builds an assembly. None of that is instant, and until now the only way to know it had finished was to be sitting in front of the machine when it did.
The app sends a notification the moment an edit or a task completes. Kick off an import before you leave the office and find out it landed while you are on the way home. Ask for a re-cut and go get lunch. The work carries on without you watching it, which is how it should have worked all along.
Review, ask, export, invite
The phone is not a viewer. The whole loop is there.
Watch the edit. Play back the current cut as it stands.
Ask for changes in your own words. The same prompting that works everywhere else works here: tighten the opening, drop the section about pricing, find a better take of that line. You are talking to the same Eddie, working on the same project.
Export it. Render an MP4 or pull the interchange file you need for your NLE.
Invite your team. Share the project, bring in a collaborator, and let a client watch the cut on their own phone.
Import, prompt, refine, share
Imports work from the phone too — footage from your camera roll, or from the cloud storage you have already connected. In practice that means an edit can start on location, minutes after the shoot, instead of waiting until someone is back at a desk with a card reader.
On your commute, on location, or from the beach. That is genuinely the pitch, and it is now genuinely true.