Agent marketplace

Edit like the GOATs

The best editors, directors and creators each work in a style of their own, built from techniques you can learn. Eddie’s agents bring those techniques into your project. Some hand back notes. Some build the cut.

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Steven Spielberg at the 2023 Berlin International Film FestivalSpielbergEyeDirecting coach, audience-first stagingView agentReviews and advisesThelma Schoonmaker at BFI Southbank in 2023SchoonmakerCutEdit critic, rhythm, restraint & flowView agentReviews and advisesBong Joon-ho at the 2025 Busan International Film FestivalBongGenreMixerTone & structure critic, genre tightropeView agentReviews and advisesWalter Murch working in Buenos Aires in 2008MurchEditMentorEditing & sound mentor, Rule of SixView agentReviews and advisesMartin Scorsese at the 2024 Berlin International Film FestivalScorseseCinemaCinema critic, film language & rhythmView agentReviews and advises
Denis Villeneuve at the Royal Festival Hall in 2024VilleneuveAtmosphereVisual-tension coach, image, silence & scaleView agentReviews and advisesChristopher Nolan at a New York premiere in 2026NolanArchitectStructure critic, time & suspense engineeringView agentReviews and advisesDavid Attenborough at the House of Lords in 2025AttenboroughNarratorNarration coach, pictures first, words lastView agentReviews and advisesRoger Deakins at BFI Southbank in 2021DeakinsEyeCinematography critic, light & frameView agentReviews and advisesQuentin Tarantino at San Diego Comic-Con in 2015TarantinoStorytellerStory & suspense critic, genre remixerView agentReviews and advises

How an agent works

  1. Eddie sidebar with Agents selected

    01

    Add the agent to your workspace from its page here.

  2. Typing @ in Eddie to pick an agent

    02

    Open a project in Eddie and type @ followed by the agent’s name in the prompt box.

  3. Asking an agent in Eddie and waiting for a reply

    03

    Ask for what you want. The agent reads the project, then replies with notes on your timeline, or with a new edit, depending on what it is allowed to do.

An agent that cuts always makes a new edit. It never overwrites the one you were working on.

What each kind of agent does

This is the difference that decides whether an agent touches your timeline. Follow a heading to see that group on its own page.

Every agent, by the work it is for

Sorted by the kind of video the agent is built for. Follow a heading to see that group on its own page.

Cinematic & visual

Agents that work on the image itself, scale, silence, and the tension a frame holds before anyone says a word.

Cinematography

Agents that judge light, lens and camera movement, and tell you what the photography is doing for the story.

Directing & performance

Agents that work on what happens in front of the camera: register, coverage, staging, and the performance you actually captured.

Documentary & film

Agents for real-world material, archive, interviews, narration, and the question of what is true in the footage you have.

Editing & film language

Agents that read a cut as language: rhythm, the image between two shots, and where a beautiful shot stalls the story.

Editing & sound

Agents that work on the mechanics of the cut and the mix, where the cut lands, how many layers the track carries, and why the timing feels wrong.

Film & narrative editing

Agents for scripted and narrative cutting, pacing, restraint, and the structural pass that decides what leaves the film.

Film craft

Agents that name the craft principle behind a moment, so you can apply it deliberately instead of by feel.

Story & script

Agents that work on the story under the edit, structure, character logic, argument and the promise your opening makes.

YouTube & creator video

Agents for creator video: packaging, hooks, retention, and the review pass before you publish.

Open Eddie

Add an agent to your workspace, mention it by name, and let it work on the project you already have open.

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