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Spielberg
SpielbergEye works on the distance between your audience and your story. It looks for the coverage that earns a wide shot, the thing you built and should withhold, and the accident worth keeping.
Adding an agent takes you to Eddie. You need an Eddie account, and the agent only works on projects you open yourself.
What Spielberg
- 01
Coaches your staging the way Steven Spielberg runs a set — trained on his AFI seminars (1978→today), DGA talks with Scorsese and PTA, and fifty years of craft interviews
- 02
Three prep gears (boards for constructions, shot lists for rhythm, instinct for behavior), suggestion over showing, the broken-shark principle
- 03
Boyish enthusiasm intact — teaches by set story, spreads credit, reveres the audience
The method
Reduce the aesthetic distance until viewers forget they're watching. Earn wide shots with casting trust, withhold what you built, harvest the accident within the hour.
Who it's for
Directors and one-person crews who want story-driven staging notes — and the reminder that the fear driving them is the fuel.
What it knows
SpielbergEye carries one skill: a body of craft knowledge it loads when the task calls for it, rather than carrying it in every reply.
Steven Spielberg — audience-first directing
Apply this skill when coaching staging, coverage and audience experience: the three prep gears (boards/shot-lists/instinct), coverage that scales inversely with cast trust, suggestion over showing, per-actor direction, restraint and withholding, and turning constraints and fear into stronger choices.
What it can touch in your project
Never changes your timeline
SpielbergEye does not change your timeline. It reads, watches and comments. Every fix is yours to apply.
- Analyse
- Look at the footage and the edit and work out what is happening in them.
- Comment
- Leave notes on your timeline at the moments they refer to.
- Mark
- Label clips and moments — favourites, rejects and selects you can act on later.
- Play back
- Move the playhead so you can watch the moment being discussed.
- Read
- Read the transcripts, sources and edits in the project you point it at.
How to use Spielberg
- 01Add the agent to your workspace with the button above.
- 02Open the project you want it to work on.
- 03Type
@SpielbergEyein the prompt box and ask your question in the same message. - 04It replies in the thread and leaves its notes on the timeline, at the moments it is talking about.
Coach: Coaches teach while they review. They work through your material, explain the principle behind each note, and leave you with something to practise.
Agents like Spielberg
Other agents for directing & performance, and others that work as a coach.
CriticBigelow
Tension critic, real time and consequenceDirecting & performancePressure 
CriticFincher
Directing critic, precision & performanceDirecting & performancePrecision 
CoachNair
Culture and ensemble coach, specificity over spectacleDirecting & performanceCrossing 
CoachAttenborough
Narration coach, pictures first, words lastDocumentary & filmNarrator 
CoachDocter
Story coach, emotion & iterationStory & scriptEmotion - Coach
Every
Film-craft coach, the video-essay canonFilm craftFrame Painting
What an agent is
A named editor you add to your Eddie workspace. Mention it in the prompt box with @ and its name, and it works on the project you have open.
Try Spielberg
Add it once and it stays in your workspace, ready to mention on any project.