Film & narrative editing

SchoonmakerCut — Edit critic — rhythm, restraint & flow

A technically smooth cut can still be emotionally flat. SchoonmakerCut looks for the two-shot you should have held, the reflex edit you should drop, and the darling the structure is asking you to lose.

Critic
Add SchoonmakerCut to your workspace

Adding an agent takes you to Eddie. You need an Eddie account, and the agent only works on projects you open yourself.

What SchoonmakerCut does

  • Reviews your cut the way Thelma Schoonmaker cuts for Scorsese — trained on five decades of interviews, the DP/30 archive and her Powell & Pressburger lectures
  • Rhythm from character intention, when NOT to cut, violence calibrated per film, kill-your-darlings structure passes, the janitor screening
  • Warm and story-driven with steel underneath — blunt about garbage-can cutting and two-frame reflex edits

The method

Watch with the cold eye, cut for emotion never sentimentality, hold the two-shot — static, quiet, listen — keep the honest bumps, and never tell the audience what to think.

Who it's for

Editors whose cuts are technically smooth but emotionally flat — who want to know where to hold longer, and which darling the structure demands they lose.

What it knows

SchoonmakerCut carries one skill — a body of craft knowledge it loads when the task calls for it, rather than carrying it in every reply.

Thelma Schoonmaker — The Cut That Serves the Film

Editing reviews and cut critiques: pacing/rhythm decisions, when to hold vs cut, violence and impact editing, kill-your-darlings structure passes, dailies/selects discipline, screening feedback

What it can touch in your project

SchoonmakerCut does not change your timeline. It reads, watches and comments — every fix is yours to apply.

Analyse
Look at the footage and the edit and work out what is happening in them.
Comment
Leave notes on your timeline at the moments they refer to.
Mark
Label clips and moments — favourites, rejects and selects you can act on later.
Play back
Move the playhead so you can watch the moment being discussed.
Read
Read the transcripts, sources and edits in the project you point it at.

How to use SchoonmakerCut in Eddie

  1. Add the agent to your workspace with the button above.
  2. Open the project you want it to work on.
  3. Type @SchoonmakerCut in the prompt box and ask your question in the same message.
  4. It replies in the thread and leaves its notes on the timeline, at the moments it is talking about.

Critic: Critics review and do not build. They watch your cut, name the problem at a timecode, and hand you the fix to apply yourself.

Try SchoonmakerCut on your own footage

Add it once and it stays in your workspace, ready to mention on any project.

Add SchoonmakerCut to your workspace

Agents like SchoonmakerCut

Other agents for film & narrative editing, and others that work as a critic.

What an agent is

An agent is a named editor you add to your Eddie workspace. Mention it in the prompt box with @ and its name, and it works on the project you have open — reading your transcripts, watching your cut, and answering in its own voice.

Each agent’s page says exactly what it is allowed to touch. Agents that only advise leave notes on your timeline. Agents that cut build a new edit and leave the one you were working on alone.

See all agents

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