Customers
Case studies
See how teams use Eddie AI to cut documentaries, event coverage, interviews, and production workflows faster.
Ryan Rakes~40 interviews transcribed, tagged, and loggedHow Ryan Rakes wrangles a year of solo-shot Ironbound footage with Eddie
Award-winning filmmaker Ryan Rakes uses Eddie to transcribe, tag, and log a year of solo footage for Ironbound, his documentary on elite vegan athletes
Kendrick DeanDays to minutesin the earliest editorial stageFrom #1 records to documentary: how Kendrick Dean edits with Eddie
Grammy-nominated producer Kendrick Dean uses Eddie to log interviews and build first-pass assemblies for his first documentary, so he can find the story.
Sergio Miranda, Serril Media40+ interviewsHow Serril Media founder Sergio Miranda uses Eddie to string out interview-heavy cuts
Post-production veteran Sergio Miranda, founder of Serril Media, uses Eddie to organize and string out interview-heavy footage in Premiere Pro.
Jesús Contreras, Wachanos Media20–30 hours saved in the early editorial stageHow Jesús Contreras uses Eddie as his assistant editor
Jesús Contreras, founder of Wachanos Media, uses Eddie as an assistant editor on his documentaries, logging footage so he can focus on the story.
Key AI20 hrs/weekSaved across the teamHow Key AI ships same-day event coverage and saves 20 hours a week
How Key AI's content team runs a publisher-scale video pipeline with one editor, ships same-day event coverage, and saves 20 hours a week with Eddie
Kevin Parkinson, Vinark Motion Pictures90 hoursof footage cut by one editorHow a one-person studio cut a 90-hour union documentary on an indie budget — with Eddie as the assistant editor
How Vinark Motion Pictures, a one-person indie studio, cut a ninety-hour union documentary on an indie budget, with Eddie handling the interview grind so one editor could do the work of a whole post team.
Innit Productions8 daysof raw footage cut into two episodesHow Innit Productions cut two episodes from eight days of footage with Eddie AI
How Innit Productions, a two-person documentary team, cut two episodes from eight days of footage on budget, with a veteran editor and a first-time editor both working the timeline in Eddie.
Quotes
In their own words.
Ryan RakesRead the story“Eddie frees me from the administrative busywork so I can focus my energy on polishing the final film.”
Kendrick DeanRead the story“Exploration isn't wasted time, it's how you discover the story.”
Sergio Miranda, founder, Serril MediaRead the story“It strings out media from a shoot so an editor can have access to the material quickly.”
Jesús Contreras, founder, Wachanos MediaRead the story“It helps organize the clay, but I still sculpt the film.”
Kushagra Shrivastava, Co-founder & CEORead the story“We were spending more time on post than the rest of GTM combined. For a team our size, that's a real budget question, every hour ingesting and logging is an hour not spent on a deal, a partnership, or the next event.”
Kevin Parkinson, founder, Vinark Motion PicturesRead the story“It doesn't tell the story. It just gets me to the part where I get to tell it.”
Stephen Eckelberry, editor, Innit ProductionsRead the story“It doesn’t do the storytelling for you — it just gets you started. There’s an old saying: it’s easier to rewrite than to write. I find that true.”
Their editors
Cut in the editor they already use.
- Adobe Premiere Pro
- DaVinci Resolve
- Final Cut Pro

From raw footage to finished edit.
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