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Premiere Pro Text-Based Editing vs Eddie AI: Which One Builds Your Rough Cut?

Premiere Pro Text-Based Editing vs Eddie AI — Eddie AI blog cover
On this page
  1. The short answer
  2. Side by side
  3. When Text-Based Editing is enough
  4. When Eddie saves the day
  5. Using both
  6. FAQ

In Summary Text-Based Editing is built into Premiere Pro and is the right tool when you already know which lines you want: transcribe, select text, put it in the sequence, clean up pauses and filler words. Eddie AI is for the step before that, when there are hours of interviews and nobody has chosen the lines yet. Eddie reads all of it, builds the first cut from a brief, and sends the sequence back to Premiere, where Text-Based Editing is still there for the fine trim. Most editors who try both end up using both.

The short answer

Premiere Pro's Text-Based Editing turns a transcript into an editing surface. It is fast, it is included in Premiere, and for a single interview it may be all you need.

What it does not do is choose. Every soundbite in the sequence is one you found and selected. With four interviewees and three hours of footage, the finding is the job, and the transcript only makes the reading faster.

Eddie is an AI video editor that does the finding. You describe the story, and it proposes a structured cut across every clip, with speakers identified and b-roll logged. The cut comes back to Premiere as a sequence pointing at your original media.

Side by side

Premiere Pro Text-Based EditingEddie AI
What it isA transcript panel inside Premiere ProAn AI editor that connects to Premiere through a panel
Who picks the linesYou do, by selecting transcript textEddie proposes them from your brief; you revise by chat
Several interviews at onceYou read and select from each clip in turnReads every clip in the project and cuts across them
Pauses and filler wordsFinds them and removes them, one by one or in bulkRemoves them as part of the cut, on request
B-rollYou place itLogs b-roll by what is in the shot and can lay cutaways
MulticamEdit the multicam as usualSyncs angles and cuts to whoever is speaking
Transcription languagesThe languages Premiere's Speech to Text supports100+ languages, detected automatically
CostIncluded with Premiere ProPay-as-you-go credits; 500 free to start, packs from $10

When Text-Based Editing is enough

  • One interview, a clear brief. If you already know the story, selecting lines in the transcript is the fastest route.
  • Cleanup on a finished structure. Removing pauses and filler words from a locked cut is exactly what the Transcript panel is for.
  • Captions inside Premiere. The same transcript feeds Premiere's captions.

When Eddie saves the day

  • Lots of footage, no selects yet. Eddie reads every interview, finds the speakers and the lines that carry the story, and proposes an order. You review a cut instead of building one.
  • A brief from a producer. Paste the brief or the script. Eddie follows the structure and picks the best take of each line (scripted edits).
  • Several versions. A 90-second, a 30-second and a vertical cut are each a message, not a re-edit.
  • B-roll and multicam in the first cut. Eddie logs b-roll and syncs multicam, so the first pass already looks like an edit.

Using both

The two do not compete. A typical round trip:

  1. Send the bin to Eddie from Premiere through the Eddie panel, which the desktop app installs.
  2. Ask for the cut in plain language: "Three minutes, open on the founder, end on the customer, no jargon."
  3. Revise by chat until the structure is right.
  4. Send it back to Premiere. The sequence relinks to your original camera files.
  5. Fine-trim with Text-Based Editing. Tidy pauses, swap a word, polish. Then colour, sound and titles as usual.

Every click of steps 1 to 4 is in the Premiere Pro AI rough cut guide, and the whole route is on the Premiere Pro workflow page.

FAQ

Does Premiere Pro have an AI rough cut? Not one that builds the structure for you. Text-Based Editing makes cutting from a transcript fast, but you choose every line. Eddie proposes the cut from a brief and sends it back to Premiere.

Do I have to leave Premiere? Only to write the brief. The panel sends clips to Eddie and brings the sequence back. You finish in Premiere.

Will the sequence point at my original media? Yes, when you send from the panel. If you upload in a browser instead, the export points at Eddie's proxy media.

What does it cost? A new account starts with 500 free credits. Import is 250 credits per hour of footage and a timeline export is 100 credits. Packs start at $10 and never expire. See pricing.

Does it work with DaVinci Resolve or Final Cut Pro? Yes. See the Resolve and Final Cut Pro workflows.


Got a bin full of interviews? Start a project for free and let Eddie propose the first cut.

From raw footage to finished edit.

Start with one prompt. Your first 500 credits are free.

Start free

From raw footage to finished edit.

Start with one prompt. Your first 500 credits are free.